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・ Edward Henry Clark
・ Edward Henry Cooper
・ Edward Henry Corbould
・ Edward Henry Davey
・ Edward Henry Durell
・ Edward Henry Embley
・ Edward Henry Horsey
・ Edward Henry Howard
・ Edward Henry John Craufurd
・ Edward Henry Kraus
・ Edward Henry Lewinski Corwin
・ Edward Henry Lloyd
・ Edward Henry Ozmun
・ Edward Henry Palmer
・ Edward Henry Peple
Edward Henry Potthast
・ Edward Henry Purcell
・ Edward Henry Sieveking
・ Edward Henry Strobel
・ Edward Henry Trotter
・ Edward Henry Whinfield
・ Edward Henry Winter
・ Edward Henryk Materski
・ Edward Henryson
・ Edward Henty
・ Edward Heppenstall
・ Edward Hepple
・ Edward Herbert
・ Edward Herbert (attorney-general)
・ Edward Herbert (died 1563)


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Edward Henry Potthast : ウィキペディア英語版
Edward Henry Potthast

Edward Henry Potthast (June 10, 1857 – March 9, 1927) was an American Impressionist painter. He is known for his paintings of people at leisure in Central Park, and on the beaches of New York and New England.〔(Orlando Museum )〕
==Life and work==

Edward Henry Potthast was born on July 10, 1847 in Cincinnati, Ohio to Henry Ignatz Potthast and Bernadine Scheiffers.〔Jacobowitz, Arlene, ''Edward Henry Potthast: 1857-1927'', NYC: The Chapellier Galleries, 1968, 4.〕 From June 10, 1879 to March 9, 1881, Potthast studied under Thomas Satterwhite Noble, a retired Confederate Army captain who had studied with Thomas Couture in Paris.〔Noble was best known for his portraits and genre paintings of the Old South. Pierce, Patricia Jobe, Marco Apollo, and Prescott S. Bush, ''Edward Henry Potthast: More Than One Man'', Hingham: Pierce Galleries, Inc., 6.〕 Potthast later studied at the Royal Academy in Munich with the American-born instructor Carl Marr. After returning to Cincinnati in 1885 he resumed his studies with Noble. In 1886 he departed for Paris, where he studied with Fernand Cormon. In 1895 he relocated to New York City and remained there until his death in 1927.
Until the age of thirty-nine Potthast earned a living as a lithographer. The purchase of one of his paintings by the Cincinnati Museum of Art may have encouraged him to abandon lithography for a career as a fine artist.〔(Orlando Museum )〕 His paintings retained the subdued colors and strong contrasts of the Munich school until he adopted the Impressionist palette late in his career.
After his arrival in New York Potthast worked as a magazine illustrator, and exhibited regularly at the National Academy of Design, the Society of American Artists and the Salmagundi Club, winning numerous prizes. By 1908 he was installed in a studio in the Gainsborough Building. Thereafter he painted sun-saturated images of Central Park, New England landscapes, and the Long Island beach scenes for which he is best remembered.〔(Orlando Museum )〕 His work is included in many major museums in the United States.〔(Edward Henry Potthast Museum Collections )〕

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